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Investigating life in an Egyptian town

Amara West 2013: in the round at villa D12.5

Excavations in villa D12.5Rizwan Safir, archaeologist and Vera Michel, Egyptologist, University of Heidelberg

The waiting has ended and the inevitable has occurred: two ovens surfaced right at the back of our large building earlier this week. They emerged somewhat unintentionally – two familiar ceramic circles – as we began cleaning the external walls to allow Rizwan’s architectural plan to be completed.

Excavations in villa D12.5. The Nile lies behind the trees on the horizon

Excavations in villa D12.5. The Nile lies behind the trees on the horizon

We’re now into week four and following the removal of vast quantities of sand and rubble the opportunity to excavate some of the smaller rooms has come about, as well as revealing ancient occupation surfaces. Another hearth has emerged to the north of the building in a small suite of two rooms added to the large central courtyard – perhaps in response to the needs of a growing community? Oddly for an Egyptian villa, there is a large staircase located inside the main door, providing access to the roof (or upper storey) above these two rooms.

Rizwan and workman Abd el-Gadus cleaning circular silos

Rizwan and workman Abd el-Gadus cleaning circular silos

A space we dubbed the ‘silo’ room is currently being excavated and three, or possibly four, distinct round structures have emerged.

The two-room suite, and staircase, inside the entrance to villa D12.5

The two-room suite, and staircase, inside the
entrance to villa D12.5

The size of these silos suggests use for storing grain, perhaps for more than one household – a number of smaller houses are visible west of our villa. Such storage containers have not been noted elsewhere at Amara West, where rectangular storage bins are common.

Between the silo room and the ovens is a space we started excavating on Wednesday – somewhere we might expect to see grain-grinding emplacements.

The emergence of the floor within the large central courtyard was particularly satisfying considering the depth and quantity of sand removed within this space, although conditions have proven particularly challenging of late.

For example, having reached the floors of the smaller rooms to the north of the building, a day of strong and relentless wind on Monday served to refill these rooms almost back to their original state!

Nonetheless, we soldier on, rewarded by a gradually more coherent plan of the building, populated by hearths, silos and, of course, ovens.

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Amara West 2013: the work continues in villa D12.5

Sandpit: workmen seeking the south part of building D12.5Neal Spencer, British Museum

Excavating across three main areas at Amara West – the cemetery, inside the northwest part of the walled town, and in the western suburb beyond the walls – it is villa D12.5 that has been most reluctant to divulge its form and purpose, despite some intriguing finds. Vera Michel and Rizwan Safir have been supervising a team of workmen for three weeks now, but the damage to the southern end of the building has resulted in a large area that is much like a 20 metres-wide sandpit. Men, shovels and wheelbarrows can work for hours and then days, removing considerable amounts of windblown sand, yet a quick glance wrongly suggests not much has changed!

Sandpit: workmen seeking the south part of building D12.5

Sandpit: workmen seeking the south part of building D12.5

The last few days have seen us return to the front of the building, where more architecture and features appear daily. Vera revealed and then recorded a large expanse of collapsed brickwork, still preserving the coursing of the original wall. Excavation of the windblown sand under it led to another layer of rubble.

The rubble here was very different, with fragments bearing the impressions of plants and finely woven matts: the telltale signs of a collapsed roof. Our houses had roofs built with beams and poles, overlaid with matts and then covered in mud; all that survives after three millennia is the mud.

Brick rubble – from a collapsed wall

Brick rubble – from a collapsed wall

The ‘upside down’ stratigraphy: collapsed roof under collapsed walls, indicates something of how the building fell into ruin. The roof must have collapsed first, probably shortly after abandonment: maybe the valuable wooden beams and poles were taken for use elsewhere. After an interval in which sand accumulated over the roof rubble, the wall then collapsed over the top, probably undermined by wind erosion near its base. While buildings can slowly crumble and decay, there must have been quite sudden episodes: the energy in these collapses is evident from how the rubble often tumbles through doorways, spreading across the floor.

The front part of villa D12.5, at the end of yesterday’s excavations

The front part of villa D12.5, at the end of yesterday’s excavations

Rizwan has just started clearing two rooms inside the front door: one contains a shallow circular hearth, perhaps used for cooking and warmth. We are all awaiting, with a sense of inevitability, the appearance of ovens….

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Amara West 2013: a kaleidoscope of life and death in Egyptian Kush

Aerial view of neighbourhood E13, with town wall to rightNeal Spencer, British Museum

Fifty-six days after flying out to Khartoum, I landed this morning at a grey, icy, Heathrow. The temperature gradient – perhaps a difference of 35°C – is but one reminder that our sixth season of fieldwork at Amara West is now complete. Many of the team are still in the dig house today, completing documentation and closing up our house ahead of the next season. I spent yesterday finishing paperwork in Khartoum, while also working with curators Shadia Abdu Rabo and Ikhlas Abdel-Latif to accession our newly-discovered objects into the collection of the Sudan National Museum.

Kite view of neighbourhood E13, with town wall to right

Kite view of neighbourhood E13, with town wall to right

Yet as with all archaeological projects, the end of the season really marks the beginning of the next, and most time-consuming, phase: digitisation, post-excavation work and, trying to make sense of it all. It’s a little overwhelming to consider the kaleidoscope of work undertaken by a team of 20 specialists from nine countries (from Australia to Sudan) over the last weeks. Many thanks to everyone, and also all those in Abri, Ernetta island and Khartoum who made the season possible – amidst sandstorms, plagues of biting flies, chilly mornings, electrical blackouts, dawn boat journeys on the Nile, crocodile sightings and fantastic breakfasts with the workmen….

The town

Within the walls of the ancient town, we continued work in neighbourhood E13. Sarah Doherty and Shadia Abdu Rabo revealed the full plan of E13.5, a medium-sized dwelling at the east end of the block. The inhabitants had fitted out each room with sandstone doorways, many built using re-used blocks from an earlier building, one naming an ‘overseer of the granaries, Horhotep’, presumably one of the high-ranking officials who lived at Amara West. Unlike other houses in the block, the bread ovens, charcoal pits and cereal grinding emplacements were housed in an annex outside the house itself, excavated by Shadia. Despite plans to investigate the phase beneath, we were instead tempted north of the house, where Sarah revealed parts of another house (?) and an area with large ovens or kilns – with tantalising evidence hinting at faience production.

Shadia excavating ovens associated with house E13.5

Shadia excavating ovens associated with house E13.5

Mat Dalton completed the excavation of the communal area E13.13, which provided food processing, and charcoal making, facilities, for the inhabitants of houses E13.3-N and E13.3-S. Returning to the ‘white house’ E13.7, Mat revealed the striking schist and sandstone floor of one of the large storage rooms that characterised the area before it became a block of houses. Mat also spent time taking block samples of floor layers and occupation deposits from the excavated houses: these will be studied as thin sections under high-magnification, revealing ancient activities invisible to the naked eye.

Right in the heart of the neighbourhood – a room rather difficult to find! – Anna Stevens grappled with a small space that provides important evidence for many building phases, how the magazines with vaulted roofs were converted for use as houses. The ancient inhabitants were clearly unhappy with the idea of living in long corridor-like spaces, and went to considerable lengths to change the proportions created by the existing architecture.

The town site beside the Nile, with our tents in foreground

The town site beside the Nile, with our tents in foreground

We managed to empty all previously excavated rooms in the neighbourhood so that Susie Green could capture untold gigabytes of digital images. These will be used to create a 3D model using the concept of ‘Structure from Motion’ – all with the challenge of photographing everything before the sun’s rays created shadows. The stunning kite photographs will not only embellish this visualisation, but also provided us with a new perspective of the site and its landscape.

Outside of the town walls, Rizwan Safir and Vera Michel persevered through layers of wall collapse and roofing remains – further hampered by deep sandpits left behind when the ancient brick walls were mined out. As the season ended, we had gained further insights into the different type of house sought by those who moved beyond the town walls; there may have been more space, but the new households had to cope with more exposure to the elements.

A flying visit from Alexandra Winkels, conservation scientist, allowed her to collect wall plaster samples which will be compared to sites from across Egypt, including Tell el-Amarna.

Cemetery C

The highlight of our third season in cemetery C, led by Michaela Binder, was the discovery of the largest tomb yet found at Amara West: G244. Beneath a low mound (tumulus), the vertical shaft led to two burial chambers, one to the east, one to the west. What was not expected were the three other chambers.

Philip and Michaela at work in Grave 244

Philip and Michaela at work in Grave 244

Patience was needed as the first chamber was meticulously excavated, with remains of painted coffins and a fine ceramic assemblage, being studied by Loretta Kilroe. More work is needed here, but the tomb seems to be late Ramesside in date.

Just to the north, Barbara Chauvet spent most of her season in the eastern chamber of a post-New Kingdom niche grave (G243), where another complicated array of superimposed bodies needed disentangling. Mohamed Saad, archaeologist at the National Corporation for Antiquities and Museums, and participant in the Institute of Bioarchaeology Amara West Field School, excavated the smaller western chamber, as well as a number of niche burials in the southeast of the cemetery.

Faience situla found in Grave 244 (Sudan National Museum SNM 34615).

Faience situla found in Grave 244 (Sudan
National Museum SNM 34615).

Back in the house …

Our expedition house was home to all the necessary tasks of excavation paperwork, processing archaeological samples and of course organising and storing the finds and masses of ceramics. Marie Vandenbeusch documented all the finds from town and tombs, from epigraphic recording of the inscribed blocks in E13.5, matching scarabs with ancient clay impressions, to wondering what to make of enigmatic pieces of worked clay. Alongside rediscovering wonderful wooden objects from our 2009 excavations, with Michaela, Marie also found time to continue work on the roofing fragments from houses – with Vera providing a particularly steady supply from villa D12.5.

The masses of sherds from the town were processed on site by Alice Springuel and Anna Garnett. After an early season handover from Marie Millet (now directing the Louvre excavations at el-Muweis), Anna is studying our town ceramics, particularly the dating and whether certain types of vessel are associated with particular rooms or spaces. Amidst many pottery drawings, Alice managed archaeological illustrations of key artefacts – from scarabs to fertility figurines.

The first weekend saw us host a small workshop on ceramics in New Kingdom Nubia, though discussions ranged well beyond pottery, with colleagues from Kerma, Sai, Sesebi and Tombos.

Copper alloy cobra fitting (F5693), after conservation

Copper alloy cobra fitting (F5693), after conservation

Philip Kevin, British Museum conservator, joined us for the last three weeks, and proved invaluable in recovering remains of headrests and painted coffins from the cemetery, coaxing out hidden inscriptions in the town, and revealing the exquisite decoration on copper alloy cobras (perhaps statue fittings) found by Shadia in the 2012 season.

Last, but not least…

Mark and Jamie pondering ancient Nile histories, in a deep trench

Mark and Jamie pondering ancient Nile histories, in a deep trench

Jamie Woodward and Mark Macklin returned for a third season to investigate the river systems in and around Amara West. Easily outpacing all other team-members in terms of logistical demands, we nonetheless managed two deep trenches which provide fantastic slices through the history of the Nile river in this region. One trench ran across the edge of the ancient island and into the channel bed, north of the temple, the other in the ‘Neolithic Nile’ 2km into the desert. We have the C14 dates already, and await the OSL dates, but a very exciting story is emerging … watch this space.

Returning to the Museum

Unlike nineteenth and early twentieth century excavations conducted by many museums, excavations in Egypt and Sudan no longer lead to the acquisition of objects for collections in other countries. So why does the British Museum still undertake archaeological projects? New techniques – including those outlined above – mean we gain insights into the ancient past, and its people, that were not possible in previous excavations. None of the objects in the British Museum, or indeed any collection, can be fully interpreted without understanding the particular time, place, culture and indeed natural environment experienced and created by those who made the objects. Amara West provides an opportunity to better understand life in Nubia during the late second millennium BC, in a region where the climate was deteriorating. It was an area under the control of the mighty Ramesside state, ruled from the royal residence city of Per-Ramses, far away near the Mediterranean.

An important pharaonic town in a long-occupied land, the inhabitants of Amara West lived in an age of international diplomacy, cosmopolitan taste and competing superpowers. We are building up a picture of how people lived, and treated their dead, at this town, but also the nature of the Egyptian entanglement with local, Nubian, cultures, and the responses to considerable ecological changes. A story very relevant to the present.

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Amara West 2013: structure from motion in a pharaonic town

Digital elevation model of villa D12.5Susie Green, UCL

This Sunday I photographed the last of the rooms in neighbourhood E13, in the dawn light before the sun rose. In fact we cheated a little that morning: Sarah Doherty and eight of our site workers held a large sheet of tarpaulin, against the strong wind, to keep the sun off the walls for an extra 15 minutes.

Susie photographing a room with some help in removing sunlight

Susie photographing a room with some help in removing sunlight

I have been at Amara West for just over two weeks. My task here is to create a pointcloud and ultimately a 3D model of the houses in E13 using a process called ‘Structure from Motion’. This technique uses a computer programme to find matching points in multiple images of the same subject. These can be triangulated to find the position of the camera and the points in 3D space and from this create an accurate representation of the subject built up from millions of points. The results are similar to those obtained by laser scanning, but without the need for expensive and unwieldy equipment.

One end of the mastaba in house E13.7, built over by later architecture

One end of the mastaba in house E13.7, built over by later architecture

I have been working my way through the town room by room. In order to get the best results, each room must be photographed in diffuse light as the harsh shadows of the sun obscure the details in the mud brick. This usually means I have to work very fast in the half hour before the sun rises. On the day of the big sandstorm, I could work all morning, as the airborne sand softened the sun’s rays. Saturday granted us an hour of cloudy sky: the first cloud I have seen in two weeks.

One end of the mastaba in house E13.7, built over by later architecture

One end of the mastaba in house E13.7, built over by later architecture

Most of my processing will be done back in London, but I have carried out some tests here to make sure everything is working properly. One of these is to bring together the two halves of the low bench (mastaba) in house E13.7 and virtually remove the later wall that cuts it in half. This allows us to see the mastaba and gain a sense of its size and proportions – it is unusually long for a mastaba in a pharaonic house.

Digital elevation model of villa D12.5, with reconstruction of kite camera positions (Produced in Meshlab)

Digital elevation model of villa D12.5, with reconstruction of kite camera positions (Produced in Meshlab)

The ‘Structure from Motion’ process also allows aerial photographs to be used for detailed models of the ground elevation: a large number of photographs can be linked together as a mosaic to create a very high resolution map of the ground, such as with villa D12.5 being excavated outside the walls.

For this reason I have also brought my kite and camera rig to Amara West and I have taken thousands of aerial pictures of the town and surrounding area. I hope to be able to contribute to the understanding of the area and how it related to the Nile when Amara West was inhabited.

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Amara West 2013: getting to grips with this year’s villa

Rizwan recording the schist-paved siloNeal Spencer, British Museum

In 2009, we excavated a relatively well-preserved large villa (E12.10) outside the western town wall. The magnetometry survey data (thanks to the British School in Rome team) had allowed us to identify the structure as a villa and see the layout of its room, and excavation progressed with few surprises.

Rooms appeared much as we expected: food preparation areas (ovens, grinding emplacements), a staircase, room with a central hearth, and more private areas at the back that included a paved room with a mastaba (low bench) and a small room with bed alcove. A sondage (small test excavation) through the floor revealed rubbish layers indicating the villa was of late New Kingdom date, probably built over a century after the walled town was first founded.

Plan of villa E12.10, excavated in 2009

Plan of villa E12.10, excavated in 2009

Villa D12.5 has, in contrast, been far from straightforward. Excavated under the supervision of Vera Michel and Rizwan Safir, the first weeks were filled with recording seemingly endless layers of roof and wall collapse. At the back, southern end, of the villa, deep pitting had destroyed much of the architecture, leaving us with the feeling of being condemned to an eternal sandpit (regularly topped-up courtesy of the north wind).

Rizwan recording the schist-paved silo

Rizwan recording the schist-paved silo

As the progress of excavation slowed, and more time was spent clarifying details and recording the architecture, a clearer picture started to emerge – sometimes through small areas of flooring or wall that survived the massive pitting. In discussion today, just before the workmen left, Rizwan, Vera and I sketched out a ‘story’ for the villa. The ‘story’ is likely to change, or be refined, but it’s an important starting point.

Villa D12.5. Orthogonal photograph by Susie Green produced from kite photography, with later phase additions greyed out.

Villa D12.5. Orthogonal photograph by Susie Green
produced from kite photography, with later phase
additions greyed out.

It is now clear that villa D12.5 has many of the same features as that we excavated previously. A long rectangular plan, dominated by a large courtyard. A suite of rooms dedicated to food processing and storage, though here the storage is in the form of circular silos not rectangular bins. A broad room in the centre of the house – perhaps once provided with a hearth. The back part of the villa is too damaged to reconstruct, but the other villa suggests we should expect a central reception room, perhaps with one or two rooms off it, including a master bedroom.

Two parts of the villa – greyed-out in the picture – are later additions – new walls which subdivided the large courtyard.

There are important differences between the two villas:

 

  1. The front door faces east. If it had faced north, the winds and sand would soon have become unbearable for those living inside (the other villa faces south, so does not have this problem).
  2. The food processing area is at the back, not near the front of the villa. Again, placing it in the south-eastern corner means any smoke, ash and rubbish from these rooms would not have blown into the villa itself.

Many questions remain unanswered. Is the staircase inside the front door – an unusual position – original? Were the additional rooms needed when the villa became home to several households or families? What are the buildings built against the west wall of the new villa?

In the coming days, we’ll look at the masses of pottery from a rubbish layer under the villa, which will provide a first hint at the date of this structure.

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Amara West 2013: fragment of a female figure found

Clay fecundity figurine (F2284) found in villa D12.5Marie Vandenbeusch, Egyptologist

Last season, three fragmentary fertility figures were found in house E13.6, with another four recovered from other houses within the town at Amara West.

These are all hand-modelled clay objects, mostly rectangular in shape, without a distinct human, or even female, shape, other than an occasional hint of shoulders, pubic triangle or breasts. Similar objects have been found in various ancient settlements in Egypt and Nubia.

A few days ago, Rizwan Safir and Vera Michel discovered a new fragment in villa D12.5 (F2284). This figurine is rather different. Very fragmentary, it is preserved only from the navel to the upper part of the legs, but preserving rather realistically modelled buttocks. The genitalia are represented by a series of dots gathered inside a triangle. A further detail is the large dot indicating a navel, surrounded by smaller dots that might represent a tattoo.

Clay fecundity figurine (F2284) found in villa D12.5

Clay fecundity figurine (F2284) found in villa D12.5

The generous, curvaceous form of the figurine contrasts with the schematic, almost geometric, shapes of the other Amara West figures. Here the nature and purpose of the figure is more immediately apparent.

Such figurines of naked women can be modelled in clay, but examples in faience, wood and stone are known, found in settlements, tombs and temples. Sometimes referred to as “concubines of the dead”, “fertility figures” or “female figurines”, most scholars believe they are related to conception, rebirth or sexuality.

In short, they could clearly be used in life as well as death, sometimes in association with divinities. Their purpose was most likely benevolent, and hints at the needs and fears of those living at Amara West.

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Amara West 2013: beyond the town walls

Rizwan planning brickwork of building D12.5Rizwan Ahmed, archaeologist and Vera Michel,
University of Heidelberg

Today was our fifth day on site and as usual, we arrived for work illuminated solely by starlight, in what felt like close to freezing temperatures. We are supervising excavation of building D12.5 outside the western gate of the town, in a ‘suburb’-like area identified in a magnetometry survey undertaken by a team from the British School in Rome, in 2008.

Several structures to the north were excavated in 2009 and 2010: a large villa (E12.10), and a circular construction (E12.11) more typical of Nubian architectural traditions. The excavation of D12.5 should shed more light on the nature of buildings outside the town wall, their date and their possible function.

Rizwan planning brickwork of building D12.5

Rizwan planning brickwork of building D12.5

So far, most of our work has been focused on clearing windblown sand and defining rooms within the building. With up to 15 workmen, most of the upper layers of sand have now been removed and we are starting to find archaeological material: a floor has been exposed in one room, at a level much higher than anticipated.

View over building D12.5 at the end of Wednesday’s excavations

View over building D12.5 at the end of Wednesday’s excavations

In some rooms, large expanses of brick rubble retain the brick coursing, and allow us to reconstruct from which wall the rubble came. Our work though is complicated by pits cut through the walls in the southern part of the building.

While elements of the building are similar to the villa excavated in 2009, there are different features: a staircase inside the front door, and a room provided with three circular structures (silos?).

All of this takes considerable time to document, with Rizwan focusing on a masterplan of the wall architecture, and Vera supervising men and recording rubble layers, amidst the strong winds, early morning cold and constant sun.

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Amara West 2013: looking beneath the surface

Workmen brushing to reveal preserved tops of ancient wallsNeal Spencer, British Museum

Our first day at the ancient town site, and with a very small number of workmen available, Shadia Abdu Rabo, our colleague and inspector from the Sudan National Museum, and I supervised the brushing of the walls in villa D12.5.

Workmen brushing to reveal preserved tops of ancient walls

Workmen brushing to reveal preserved tops of ancient walls

In some ways the archaeology at Amara West is wonderfully convenient. Many of the walls are visible on the surface, and with the help of magnetometry, we can find the others with a cursory brush of the mixture of windblown sand, pebbles and sherds that cover the site. While convenient, this approach is also the only one possible. The thick deposits of windblown sand preclude the creation of arbitrary modern trenches – for example a 5×5 metre square – as the trench side would soon collapse. So we dig room by room, building by building. This becomes complex when we get to the buildings beneath those nearest the surface.

The front part of the structure is well preserved, but many of the walls near the back are badly pitted. Seeing the building plan emerge, I am now even wondering if we should call it a ‘villa’!

Elsewhere, we just had time to brush back the walls of house E13.5, and started removing sand from the front room that leads from the street. Michaela Binder spent the day in Cemetery C completing pre-excavation photography and finalising the excavation strategy for the coming weeks.

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Amara West 2013: good to go

Our two site tents at Amara West, with guard SelimNeal Spencer, British Museum

After travelling 4,928 km by air, 721 km by road across desert and then through the rocky cataract region, and a final hundred metres in a motorboat, we arrived late Tuesday afternoon, almost oblivious to it being New Year’s Day – and Independence Day in Sudan.

Our two site tents at Amara West, with guard Selim.

Our two site tents at Amara West, with guard Selim.

Our first day here was spent setting everything up. The house had to be unpacked – it is amazing how much dust accumulates in houses with mudbrick walls, and one never knows quite how much damage termites will have wrought upon cardboard boxes, wooden beds or even wooden drawing boards.

Metal crates are used to house tools for each excavation area – here for house E13.5 and villa D12.5.

Metal crates are used to house tools for each excavation area – here for house E13.5 and villa D12.5.

Bedrooms are set up, the kitchen installed and the workrooms organised. With seven of us here – more team members arrrive Friday afternon – this all happened quite quickly. A small team of workmen was employed to erect our two site tents, and some of us visited the local market town of Abri, to acquire missing items and repair some excavation equipment. Pottery sorting and drawing – material from last season that could not be processed – was commenced by Marie Millet, Anna Garnett and Alice Springuel.

Clambering up the sandbank between Nile and archaeological site

Clambering up the sandbank between Nile and archaeological site

I was surprised by our progress, so much so that we had the opportunity to move all of the digging equipment – sieves, shovels, barrows, trowels, finds bags, brushes – to Amara West itself, as the sun set. The Nile is higher than last year, though the steep sandy incline from river to archaeological site is a significant challenge where heavy equipment is concerned.

The day was not without its surprises, though, ending with a scorpion sighting in the bathroom, and a small electrical fire caused by a generator surge.

The boat leaves for site at 6.00 am on Thursday, in darkness, and excavation will finally be underway.

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Counting down to season six at Amara West

The project house under moonlightNeal Spencer, Keeper of Ancient Egypt and Sudan, British Museum

In a few days time, I’ll be in a taxi, probably stuck in traffic, inching towards the confluence of the two Niles, and the offices of the National Corporation of Antiquities and Museums (Sudan). The signing of our excavation permit will mark the start of our sixth fieldwork season at the ancient Egyptian town of Amara West, after months of planning and preparation.

The project house under moonlight, soon to be bustling with archaeologists and filled with artefacts to document and research.

The project house under moonlight, soon to be bustling with archaeologists and filled with artefacts to document and research.

What awaits? We’ll again be concentrating on the ‘neighbourhood’ of houses in the northwest of the town. There’s one late Ramesside house left to investigate (E13.5), though as we found last year, the earlier remains beneath might throw up some surprises.

View of house E13.6 at end of last season, with E13.5 to right, awaiting excavation

View of house E13.6 at the end of last season, with E13.5 to right, awaiting excavation

Surface traces suggest the house features a staircase, for access to the roof or upper storey, and a central reception room with a brick mastaba (bench) against the back wall. Our work here is providing a detailed insight into how one area of the town developed over 200 years, with episodes of neighbourhood renovation amidst the more frequent changes evident in individual houses – sometimes little more than the ancient equivalent of ‘moving the furniture around’.

Magnetometry survey of Amara West town

Magnetometry survey of Amara West town, with villa D12.5 outlined in red. Survey data: British Museum/British School in Rome.

We’re also returning to the western suburb, to excavate a villa (D12.5), which our magnetometry survey indicates as being around 400 square metres in area. Why build outside the walled town? A desire for more space, light and air may have been a motive, as we know the old town had become increasingly cramped and claustrophobic.

As ever, our team will be documenting objects and ceramics and taking archaeological samples for analysis back in the laboratories of the British Museum and universities collaborating on the project, including high resolution sampling of occupation surfaces by Mat Dalton.

Further research will be undertaken on the landscape and river channels, and our team will be back in cemetery C, led by Michaela Binder, including the second season of our Amara West Bioarchaeology Field School for Sudanese archaeologists.

We’ll be posting regularly from the site, and follow me @NealSpencer_BM on Twitter for updates.

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