Anna Garnett, Egyptologist and trainee curator, British Museum/Manchester Museum
The life of a field ceramicist is certainly never dull, though perhaps sometimes repetitive…
Currently I am documenting and studying all of the pottery from the settlement, which is an important job for several reasons: to try to establish the dates of buildings in the town, to understand more about both local and foreign ceramic production, and ultimately to really understand how pottery featured in the daily lives of the inhabitants of the town.
This pottery ranges from everyday throwaway items such as beer jars and plates which were used much like modern polystyrene cups, and more unusual vessels such as storage amphorae, decorated pots and large basins.
After the diagnostic pottery has been sorted and collected on site by Alice Springuel, Loretta Kilroe and I, it is brought back to the excavation house. Here it is washed and dried in the sun by Amru Mohamed, our pot-washer extraordinare, who not only cleans the sherds but also identifies joining pieces and glues them back together.
The many hundreds of sherds are then placed into bags according to archaeological context and brought to my workspace for processing which is when the “fun” really begins…
I empty each bag and every sherd is sorted according to its form, which I match up to the different forms in the established Amara West pottery typology developed by the previous ceramicist, Marie Millet.
These forms are recorded and then all the sherds are placed back in the labelled bags for storage at the house. However, sherds of special interest are kept aside and given C-numbers, for example those which are decorated or that add to the site typology of forms and fabrics. These sherds are then drawn by Alice and inked back in the UK for further study and, eventually, publication.
Leave a comment or tweet using #amarawest